- Found in paragraph 5: (...) ExSitu group of Université Laval). (...)
- Found in paragraph 7: (...) certain rhythm; conversely, every optic exp (...)
- Found in paragraph 9: (...) elf change from one version to another (it i (...)
- Found in paragraph 10: (...) al logic of the old versus the new – or, in (...)
- Found in paragraph 11: (...) nal and aesthetic diversity of apparently si (...)
- Found in paragraph 12: (...) of an increasing diversification (for some (...)
- Found in paragraph 13: (...) rally more powerful version an old, analogou (...)
- Found in paragraph 14: (...) ll as the extreme diversity of its successiv (...)
- Found in paragraph 17: (...) practices are as diverse as the scholarship (...)
- Found in paragraph 18: (...) all, the extreme diversity of the poetic fi (...)
- Found in bibliography / webliography
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10 articles with
Vers
i General
ii Context, Social Groups and Environmental Issues
ii.1Producer of Lyric
Müller, Ralph / Sabban, Adela Sophia - 2025
- Found in paragraph 4: (...) uthorship are controversial (see Combe 1996 (...)
- Found in paragraph 11: (...) The controversial debate about the (...)
- Found in paragraph 15: (...) luding the maker of verse, occurs with incre (...)
- Found in paragraph 32: (...) his essay “Crise de vers” (1882, “Crisis of (...)
- Found in paragraph 35: (...) ury saw a growing diversity of possible role (...)
- Found in paragraph 37: (...) cted into the controversial question of the (...)
- Found in paragraph 41: (...) roduce the intended version, undistorted by (...)
- Found in paragraph 46: (...) ramatic speaker. Conversely, Käte Hamburger (...)
- Found in bibliography / webliography
- Found in paragraph 4: (...) r’s Mountains and Rivers Without End [1996] (...)
- Found in paragraph 5: (...) nd thus exemplify diverse approaches to the (...)
- Found in paragraph 6: (...) o age after age, perversely, / with no extra (...)
- Found in paragraph 12: (...) d air; loss of biodiversity; species extinct (...)
- Found in paragraph 13: (...) mal and stylistic diversity that characteriz (...)
- Found in bibliography / webliography
iii Distribution and Communication
iii.1Oral and Written Lyric Poetry
Müller, Adalberto - 2025
- Found in paragraph 2: (...) of compositions in verse: on the one hand, (...)
- Found in paragraph 3: (...) posed and performed verse: narrative (such a (...)
- Found in paragraph 4: (...) machine and the conversational tone employe (...)
- Found in paragraph 7: (...) aseology of Homeric verse, particularly the (...)
- Found in paragraph 12: (...) aps much more controversial cultural rift. F (...)
- Found in paragraph 15: (...) mpaté Bâ (1981) recovers the “living traditi (...)
- Found in paragraph 20: (...) ces of heterometric verses, the emergence of (...)
- Found in paragraph 21: (...) ld structure the universe – and that at the (...)
- Found in paragraph 22: (...) ce the heterometric verses seem to make use (...)
- Found in paragraph 25: (...) like the Amerindian version of Fernando Pess (...)
- Found in paragraph 27: (...) equences of refrain-verses. As it happens, w (...)
- Found in paragraph 28: (...) rs, and the refrain-verses are repeated in e (...)
- Found in paragraph 29: (...) of the same refrain-verse. The singers often (...)
- Found in bibliography / webliography
iii.5Canons of Lyric Poetry
Rippl, Gabriele / Winko, Simone - 2025
- Found in paragraph 1: (...) l interest in the diverse national histories (...)
- Found in paragraph 2: (...) such as schools, universities, literary priz (...)
- Found in paragraph 4: (...) öhler 1998). This diversification of canons (...)
- Found in paragraph 6: (...) t British and US universities in the 1980s a (...)
- Found in paragraph 7: (...) a of schools and universities; literary muse (...)
- Found in paragraph 8: (...) anthologies and university curricula, becau (...)
- Found in paragraph 10: (...) world and shape university curricula and co (...)
- Found in paragraph 12: (...) In the current university training of Germ (...)
- Found in paragraph 14: (...) nnovation or the universality of works, but (...)
- Found in paragraph 15: (...) ning anthologies of verse in English (Goodre (...)
- Found in bibliography / webliography
iii.6Peritext and Paratext in Lyric Poetry
Klimek, Sonja - 2025
- Found in paragraph 1: (...) ike “interviews, conversations” of the autho (...)
- Found in paragraph 3: (...) plays: Do only the verses constitute the po (...)
- Found in paragraph 6: (...) s of paratext, like verse mottoes to collect (...)
- Found in paragraph 7: (...) dlungen zu besserem Verständnis des west-öst (...)
- Found in paragraph 8: (...) d film, radio and diversified print markets (...)
- Found in bibliography / webliography
iv Textual Forms, Modes, and Subgenres
- Found in paragraph 1: (...) might be entitled “versification” or “proso (...)
- Found in paragraph 3: (...) “metre”, since it covers phenomena beyond li (...)
- Found in paragraph 4: (...) he composition of a verse text, within which (...)
- Found in paragraph 5: (...) accentual-syllabic verse in English; for fu (...)
- Found in paragraph 6: (...) ” in English “blank verse” refers to its bei (...)
- Found in paragraph 8: (...) structure but with verses of different leng (...)
- Found in paragraph 9: (...) that differentiates verse and poetry from pr (...)
- Found in paragraph 10: (...) is regular in some verse types but rare in (...)
- Found in paragraph 11: (...) coincides with the verse or with the couple (...)
- Found in paragraph 12: (...) s to delimiting the verse (also known as hom (...)
- Found in paragraph 13: (...) ting and separating verse. Especially in so- (...)
- Found in paragraph 15: (...) unaccented, or vice versa. (...)
- Found in paragraph 20: (...) Attic symposia in diverse types of poetic ex (...)
- Found in paragraph 21: (...) presents a great diversity, but two main tr (...)
- Found in paragraph 23: (...) e archaic saturnian verse (e.g., Livius Andr (...)
- Found in paragraph 24: (...) rom a definition of verse based on an isopod (...)
- Found in paragraph 25: (...) All verse forms used from th (...)
- Found in paragraph 26: (...) raditions. The main verse forms adopted for (...)
- Found in paragraph 27: (...) characterises long verses. Isosyllabism, ho (...)
- Found in paragraph 29: (...) talian, the line or verse is the fundamental (...)
- Found in paragraph 30: (...) r of syllables in a verse. Two consecutive v (...)
- Found in paragraph 31: (...) araliturgical Latin versus produced in the c (...)
- Found in paragraph 32: (...) drine, the names of verse lines in Romance l (...)
- Found in paragraph 33: (...) ecame the most used verse after alexandrine (...)
- Found in paragraph 34: (...) le or the Alcmanian verse. It is attested fr (...)
- Found in paragraph 35: (...) ame one of the main verses in French poetry. (...)
- Found in paragraph 36: (...) Some verse forms take on a pa (...)
- Found in paragraph 37: (...) the first types of verse aggregation (i.e., (...)
- Found in paragraph 39: (...) distinction between versos de arte menor (sh (...)
- Found in paragraph 41: (...) not into two parts (versus), but the indivis (...)
- Found in paragraph 43: (...) the spread of free verse. (...)
- Found in paragraph 45: (...) assonance) in even verses. The distinction (...)
- Found in paragraph 46: (...) own as syllabotonic verse). The concept of “ (...)
- Found in paragraph 51: (...) accentual-syllabic verse. (...)
- Found in paragraph 53: (...) In free verse, which dispenses w (...)
- Found in paragraph 54: (...) some early English verse (and some modern a (...)
- Found in paragraph 55: (...) German verse underwent similar (...)
- Found in paragraph 56: (...) ian poetry, Hittite verse), metres based on (...)
- Found in title 14: (...) Free verse (...)
- Found in paragraph 62: (...) The rise of free verse during Modernity b (...)
- Found in paragraph 63: (...) orical wave of free verse, with great influe (...)
- Found in paragraph 64: (...) ther consists in conversational speech burst (...)
- Found in paragraph 65: (...) erns the concept of verse structure assumed (...)
- Found in paragraph 66: (...) something like a universal line length and, (...)
- Found in paragraph 68: (...) m.: akzentuierendes Versprinzip alexandrine (...)
- Found in bibliography / webliography
- Found in paragraph 1: (...) ression in prose or verse – as how speakers (...)
- Found in paragraph 3: (...) ic quality of lyric verse, namely its “uniqu (...)
- Found in paragraph 25: (...) Anastrophe, inversion The inversion o (...)
- Found in paragraph 36: (...) Chiasmus The reversal of grammatical st (...)
- Found in paragraph 41: (...) nsiderable formal diversity: Many poems look (...)
- Found in paragraph 42: (...) Mallarmé’s crise de vers, ¶57; see also lang (...)
- Found in paragraph 49: (...) i convivono metri diversi e temi diversi, e (...)
- Found in paragraph 50: (...) in the unity of the verse or sentence” (“le (...)
- Found in paragraph 55: (...) ormal categories of verse, metre, and rhyme (...)
- Found in paragraph 56: (...) rmal restriction of verse and metre, as in A (...)
- Found in paragraph 57: (...) put it: a “crise de vers”. In opposition to (...)
- Found in paragraph 62: (...) ry, hard, classical verse” was coming, in li (...)
- Found in paragraph 67: (...) characterised by inversions, ellipses, and (...)
- Found in paragraph 69: (...) xpress something universal. In his Ästhetik (...)
- Found in paragraph 70: (...) e inclusion of free-verse poetry (Rhyme, Met (...)
- Found in paragraph 71: (...) mented on his controversial statement, which (...)
- Found in paragraph 72: (...) n-inspired syllabic verse system, which reta (...)
- Found in paragraph 74: (...) concise, and witty verse fables (Bajki i pr (...)
- Found in paragraph 75: (...) sed by a mastery of versification and the de (...)
- Found in paragraph 76: (...) ishes itself in all verse systems and metres (...)
- Found in paragraph 82: (...) e existing syllabic verse system, inspired b (...)
- Found in paragraph 83: (...) , as well as in his verse epics. Puškin elev (...)
- Found in paragraph 84: (...) ric poetry and epic verse is situated betwee (...)
- Found in paragraph 85: (...) t language into his verse, which is particul (...)
- Found in paragraph 86: (...) rtion of tripartite verse feet and dol’niki (...)
- Found in paragraph 88: (...) prevailing culture, versification and langua (...)
- Found in paragraph 93: (...) t of speech or of a verse line, the syntax o (...)
- Found in paragraph 95: (...) alist or linguistic versions. (...)
- Found in paragraph 99: (...) e first years of university. (...)
- Found in paragraph 101: (...) In scholarly and university practice, but al (...)
- Found in bibliography / webliography
- Found in paragraph 7: (...) ncept but the controversies it provokes. He (...)
- Found in paragraph 10: (...) onal arrangement of verses in Ezra Pound’s T (...)
- Found in paragraph 13: (...) a very different universe of visuality in li (...)
- Found in paragraph 15: (...) xts are not usually versified in the convent (...)
- Found in paragraph 17: (...) n its first printed version (1986) and in it (...)
- Found in paragraph 24: (...) Given the diversity of its strands a (...)
- Found in paragraph 29: (...) (1968), where she covers experiences develop (...)
- Found in bibliography / webliography
- Found in paragraph 3: (...) e amalgamation of diverse discourses and for (...)
- Found in paragraph 6: (...) a more fluid and universally-accessible mode (...)
- Found in paragraph 7: (...) new, potentially universal writing space tha (...)
- Found in paragraph 17: (...) ind of poetry are diverse because the majori (...)
- Found in paragraph 18: (...) try. In the digital version of ancient rheto (...)
- Found in paragraph 20: (...) r amateur political verses. From Beatnik poe (...)
- Found in title 5: (...) The diverse names for contempo (...)
- Found in paragraph 29: (...) landscape is the diversity of theoretical a (...)
- Found in paragraph 30: (...) contain the most diverse forms of poetic pr (...)
- Found in paragraph 31: (...) The diversity of contemporary (...)
- Found in paragraph 32: (...) try, from Boston University. (...)
- Found in paragraph 33: (...) s, the number and diversity of examples is v (...)
- Found in paragraph 35: (...) Washington State University, Vancouver, with (...)
- Found in paragraph 36: (...) reated by the controversial poet and thinker (...)
- Found in paragraph 37: (...) 4) at Kent State University, and online we c (...)
- Found in paragraph 38: (...) who has developed diverse pieces in this dir (...)
- Found in paragraph 40: (...) arify without controversy, because poetry ha (...)
- Found in bibliography / webliography